{"id":9621,"date":"2024-02-24T15:48:48","date_gmt":"2024-02-24T19:48:48","guid":{"rendered":"https:\/\/www.composition.org\/?p=9621"},"modified":"2024-02-24T19:57:33","modified_gmt":"2024-02-24T23:57:33","slug":"india-gailey","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/signal-boost-fr\/india-gailey\/","title":{"rendered":"India Gailey"},"content":{"rendered":"\n<p><strong>India Gailey <\/strong>est une violoncelliste, improvisatrice, compositrice et artiste multidisciplinaire canado-am\u00e9ricaine qui s&rsquo;inspire de plusieurs \u00e8res et genres, cr\u00e9ant le plus souvent  dans les domaines de la musique classique et exp\u00e9rimentale. Elle se produit en tant qu&rsquo;artiste solo, chambriste, collaboratrice interdisciplinaire et membre du quatuor environnemental New Hermitage.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"CLC SIGNAL BOOST : India Gailey\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/u6X2qyrVA4E?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-file aligncenter\"><a href=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/Signal-Boost-1-India-Gailey.pdf\" class=\"wp-block-file__button wp-element-button\" download>T\u00e9l\u00e9charger le texte de l&rsquo;intervieew<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>India Gailey est une violoncelliste, improvisatrice, compositrice et artiste multidisciplinaire canado-am\u00e9ricaine qui s&rsquo;inspire de plusieurs \u00e8res et genres, cr\u00e9ant le plus souvent dans les domaines de la musique classique et exp\u00e9rimentale. Elle se produit en tant qu&rsquo;artiste solo, chambriste, collaboratrice interdisciplinaire et membre du quatuor environnemental New Hermitage.<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-9621","post","type-post","status-publish","format-standard","hentry","category-signal-boost-fr"],"acf":{"pdf_download_link":"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/Signal-Boost-1-India-Gailey.pdf","pdf_download_button_text":"","pdf_download_link_2":"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/Signal-Boost-1-India-Gailey.pdf","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/9621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=9621"}],"version-history":[{"count":1,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/9621\/revisions"}],"predecessor-version":[{"id":9622,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/9621\/revisions\/9622"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=9621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=9621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=9621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}