{"id":8939,"date":"2023-05-15T15:04:57","date_gmt":"2023-05-15T19:04:57","guid":{"rendered":"https:\/\/www.composition.org\/prod\/non-classifiee\/guide-dinitiation-a-la-synthese-analogique-pour-les-compositeurs\/"},"modified":"2024-07-12T13:43:32","modified_gmt":"2024-07-12T17:43:32","slug":"guide-dinitiation-a-la-synthese-analogique-pour-les-compositeurs","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/webinaires\/guide-dinitiation-a-la-synthese-analogique-pour-les-compositeurs\/","title":{"rendered":"Guide d&rsquo;initiation \u00e0 la synth\u00e8se analogique pour compositaires"},"content":{"rendered":"\n<p><\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Beginner\u2019s Guide to Analogue Synthesis for Composers with Felipe Tellez\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/dMo6U7QwFFM?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Introduction au monde de la synth\u00e8se analogique et \u00e0 ses applications potentielles dans la musique contemporaine.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[92,85],"tags":[],"class_list":["post-8939","post","type-post","status-publish","format-standard","hentry","category-technologie","category-webinaires"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=8939"}],"version-history":[{"count":2,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8939\/revisions"}],"predecessor-version":[{"id":10284,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8939\/revisions\/10284"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=8939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=8939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=8939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}