{"id":8937,"date":"2023-05-15T15:05:31","date_gmt":"2023-05-15T19:05:31","guid":{"rendered":"https:\/\/www.composition.org\/prod\/non-classifiee\/guitare-classique-lapproche-contemporaine\/"},"modified":"2024-07-12T13:42:13","modified_gmt":"2024-07-12T17:42:13","slug":"guitare-classique-lapproche-contemporaine","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/webinaires\/guitare-classique-lapproche-contemporaine\/","title":{"rendered":"Guitare classique : L&rsquo;approche contemporaine"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Guitare classique : L\u2019approche contemporaine avec An-Laurence Higgins\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/6H-bp08eCMI?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Une vue d&rsquo;ensemble de la guitare classique dans le contexte de la musique contemporaine.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[88,85],"tags":[],"class_list":["post-8937","post","type-post","status-publish","format-standard","hentry","category-guides-des-instruments","category-webinaires"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=8937"}],"version-history":[{"count":1,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8937\/revisions"}],"predecessor-version":[{"id":8938,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8937\/revisions\/8938"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=8937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=8937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=8937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}