{"id":8555,"date":"2023-05-15T15:13:58","date_gmt":"2023-05-15T19:13:58","guid":{"rendered":"https:\/\/www.composition.org\/prod\/non-classifiee\/ecrire-pour-le-saxophone-aujourdhui\/"},"modified":"2024-07-11T23:41:12","modified_gmt":"2024-07-12T03:41:12","slug":"ecrire-pour-le-saxophone-aujourdhui","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/webinaires\/ecrire-pour-le-saxophone-aujourdhui\/","title":{"rendered":"\u00c9crire pour le saxophone aujourd&rsquo;hui"},"content":{"rendered":"\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Quasar, \u00e9crire pour saxophone aujourd\u2019hui avec le quatuor de saxophones Quasar\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/ivSzBfHJtW4?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Quasar pr\u00e9sente les principaux aspects de l\u2019\u00e9criture contemporaine pour saxophone : comportement acoustique, modes de jeu, notation, etc. <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[85,88],"tags":[],"class_list":["post-8555","post","type-post","status-publish","format-standard","hentry","category-webinaires","category-guides-des-instruments"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8555","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=8555"}],"version-history":[{"count":2,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8555\/revisions"}],"predecessor-version":[{"id":10185,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/8555\/revisions\/10185"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=8555"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=8555"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=8555"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}