{"id":6687,"date":"2022-06-22T15:51:49","date_gmt":"2022-06-22T23:51:49","guid":{"rendered":"https:\/\/www.composition.org\/prod\/non-classifiee\/presentation-de-notre-conteur-lcc-keith-stratton\/"},"modified":"2023-08-08T15:43:10","modified_gmt":"2023-08-08T23:43:10","slug":"presentation-de-notre-conteur-lcc-keith-stratton","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/nouvelles-fr\/presentation-de-notre-conteur-lcc-keith-stratton\/","title":{"rendered":"PR\u00c9SENTATION DE NOTRE CONTEUR LCC KEITH STRATTON"},"content":{"rendered":"\n<p>Nous sommes ravis de vous pr\u00e9senter notre conteur LCC, qui sera avec nous pour les 12 prochaines semaines (juin \u2013 ao\u00fbt 2022) gr\u00e2ce \u00e0 l\u2019aide du programme Emplois d\u2019\u00e9t\u00e9 Canada.<\/p>\n\n<p>Originaire de Charlottetown, \u00e0 l\u2019\u00cele-du-Prince-\u00c9douard, Keith Stratton est un compositeur, multi-instrumentiste et administrateur bas\u00e9 \u00e0 Toronto. Il est membre fondateur de la Just and Accessible Music School (JAMS), et sa derni\u00e8re composition, Terminarch (2019) pour quatuor de percussions, <a rel=\"noreferrer noopener\" href=\"https:\/\/www.cbc.ca\/radio\/quirks\/feb-20-magnetic-pole-reversals-viruses-hunt-bacteria-solar-powered-microflyers-and-more-1.5918929\/music-inspired-by-endangered-bird-calls-brings-focus-on-conservation-and-creativity-1.5918934\" target=\"_blank\">a r\u00e9cemment \u00e9t\u00e9 pr\u00e9sent\u00e9e<\/a> \u00e0 l\u2019\u00e9mission Quirks and Quarks de CBC Radio.<\/p>\n\n<p>Keith est ravi de travailler pour la Ligue canadienne des compositeurs cet \u00e9t\u00e9 afin de mettre en lumi\u00e8re les musiciens, musiciennes et organisations du Canada qui ouvrent la voie \u00e0 une am\u00e9lioration syst\u00e9mique de l\u2019industrie musicale. Il compilera des recherches, m\u00e8nera des entrevues et r\u00e9digera des articles sur la fa\u00e7on dont les ressources de la LCC permettent aux musiciens et musiciennes de vivre des exp\u00e9riences de performance novatrices, collaboratives et \u00e9quitables!<br\/><\/p>\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><a href=\"https:\/\/www.composition.org\/wp-content\/uploads\/2022\/06\/Storyteller-Keith-Stratton3.png\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2022\/06\/Storyteller-Keith-Stratton3.png\" alt=\"\" class=\"wp-image-6701\" width=\"705\" height=\"591\" srcset=\"https:\/\/www.composition.org\/wp-content\/uploads\/2022\/06\/Storyteller-Keith-Stratton3.png 705w, https:\/\/www.composition.org\/wp-content\/uploads\/2022\/06\/Storyteller-Keith-Stratton3-480x402.png 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) 705px, 100vw\" \/><\/a><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Nous sommes ravis de vous pr\u00e9senter notre conteur LCC, qui sera avec nous pour les 12 prochaines semaines (juin \u2013 ao\u00fbt 2022) gr\u00e2ce \u00e0 l\u2019aide du programme Emplois d\u2019\u00e9t\u00e9 Canada. Originaire de Charlottetown, \u00e0 l\u2019\u00cele-du-Prince-\u00c9douard, Keith Stratton est un compositeur, multi-instrumentiste et administrateur bas\u00e9 \u00e0 Toronto. Il est membre fondateur de la Just and Accessible [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[67],"tags":[],"class_list":["post-6687","post","type-post","status-publish","format-standard","hentry","category-nouvelles-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/6687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=6687"}],"version-history":[{"count":2,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/6687\/revisions"}],"predecessor-version":[{"id":8908,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/6687\/revisions\/8908"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=6687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=6687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=6687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}