{"id":12458,"date":"2026-10-09T17:51:40","date_gmt":"2026-10-09T21:51:40","guid":{"rendered":"https:\/\/www.composition.org\/?p=12458"},"modified":"2026-10-09T17:59:47","modified_gmt":"2026-10-09T21:59:47","slug":"somers-pentad-sonates","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/nouvelles-fr\/somers-pentad-sonates\/","title":{"rendered":"SOMERS PENTAD SONATES"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><a href=\"https:\/\/www.pianolunaire.org\/somers\" target=\"_blank\" rel=\" noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1910\" height=\"1005\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2026\/10\/Harry-Sommers.avif\" alt=\"\" class=\"wp-image-12460\"\/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Harry Somers a compos\u00e9 cinq sonates pour piano au cours de sa vie. En 2026, Piano Lunaire pr\u00e9sente l\u2019int\u00e9grale de ce cycle et va encore plus loin : nous avons command\u00e9 \u00e0 cinq compositeur\u00b7ice\u00b7x canadien\u00b7ne\u00b7s d\u2019aujourd\u2019hui de nouvelles \u0153uvres en dialogue avec chacune des sonates. Cinq \u00ab nanoSONATES \u00bb seront ainsi pr\u00e9sent\u00e9es en premi\u00e8re mondiale \u00e0 Toronto et \u00e0 Montr\u00e9al. Ce projet cr\u00e9e un dialogue vivant entre le pass\u00e9, le pr\u00e9sent et l\u2019avenir de la musique au Canada.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Accordant une attention particuli\u00e8re au patrimoine musical canadien, Piano Lunaire a lanc\u00e9 en 2026 le projet Somers Sonata Pentad, \u00e0 l\u2019occasion du centenaire de la naissance de Harry Somers. Ce projet met \u00e0 l\u2019honneur les sonates pour piano de l\u2019un des compositeurs les plus importants du Canada, figure fondatrice du d\u00e9veloppement d\u2019une tradition musicale propre au pays. Nous c\u00e9l\u00e9brons l\u2019h\u00e9ritage de Somers en pr\u00e9sentant ses cinq sonates aux c\u00f4t\u00e9s de cinq nouvelles \u0153uvres command\u00e9es \u00e0 des compositeur\u00b7ice\u00b7x canadien\u00b7ne\u00b7s d\u2019aujourd\u2019hui. Ces cr\u00e9ations mondiales rendront hommage au patrimoine musical canadien tout en contribuant \u00e0 enrichir le r\u00e9pertoire destin\u00e9 aux g\u00e9n\u00e9rations futures d\u2019artistes et de publics.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.pianolunaire.org\/somers\" target=\"_blank\" rel=\"noopener\">Plus de d\u00e9tails ici.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Harry Somers a compos\u00e9 cinq sonates pour piano au cours de sa vie. En 2026, Piano Lunaire pr\u00e9sente l\u2019int\u00e9grale de ce cycle et va encore plus loin : nous avons command\u00e9 \u00e0 cinq compositeur\u00b7ice\u00b7x canadien\u00b7ne\u00b7s d\u2019aujourd\u2019hui de nouvelles \u0153uvres en dialogue avec chacune des sonates. Cinq \u00ab nanoSONATES \u00bb seront ainsi pr\u00e9sent\u00e9es en premi\u00e8re mondiale [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":12460,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[67],"tags":[],"class_list":["post-12458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=12458"}],"version-history":[{"count":2,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12458\/revisions"}],"predecessor-version":[{"id":12464,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12458\/revisions\/12464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media\/12460"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=12458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=12458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=12458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}