{"id":12429,"date":"2026-09-25T17:21:54","date_gmt":"2026-09-25T21:21:54","guid":{"rendered":"https:\/\/www.composition.org\/?p=12429"},"modified":"2026-09-25T17:32:25","modified_gmt":"2026-09-25T21:32:25","slug":"litige-ai-socan","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/nouvelles-fr\/litige-ai-socan\/","title":{"rendered":"Litige AI SOCAN"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.socan.com\/fr\/socan-ia\/litige-ia\/\" target=\"_blank\" rel=\" noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"895\" height=\"1024\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2026\/09\/SOCAN-FR-edited-895x1024.jpg\" alt=\"\" class=\"wp-image-12438\"\/><\/a><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Suno a b\u00e2ti une plateforme d\u2019IA g\u00e9n\u00e9rative se chiffrant \u00e0 plusieurs milliards de dollars entra\u00een\u00e9e sans consentement \u00e0 partir de pratiquement toute la musique facilement accessible en ligne. Au Canada, comme ailleurs dans le monde, la plateforme rend publiquement accessibles et diffuse en continu des extrants g\u00e9n\u00e9r\u00e9s par l\u2019IA qui reproduisent des chansons du r\u00e9pertoire de la SOCAN, le tout sans autorisation ni r\u00e9mun\u00e9ration. Les extrants de Suno se substituent aux \u0153uvres originales, d\u00e9valorisent la cr\u00e9ativit\u00e9 humaine et compromettent les moyens de subsistance des cr\u00e9ateurs et cr\u00e9atrices.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dans sa poursuite, la SOCAN cite un \u00e9chantillon de 150 extrants accessibles au public que Suno a mis \u00e0 disposition et diffus\u00e9s en continu sur sa plateforme au Canada. Ces constatations ne repr\u00e9sentent qu\u2019un \u00e9chantillon des activit\u00e9s non autoris\u00e9es de Suno \u00e0 plus grande \u00e9chelle et d\u00e9montrent l\u2019urgence d\u2019adopter des pratiques responsables en mati\u00e8re d\u2019IA.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Les proc\u00e9dures ne peuvent \u00eatre d\u00e9pos\u00e9es devant le tribunal que dans une seule langue officielle, et la d\u00e9claration d\u00e9livr\u00e9e n\u2019est accessible qu\u2019en anglais.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.socan.com\/fr\/socan-ia\/litige-ia\/\" target=\"_blank\" rel=\"noopener\">Apprenez-en plus ici.<\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Suno a b\u00e2ti une plateforme d\u2019IA g\u00e9n\u00e9rative se chiffrant \u00e0 plusieurs milliards de dollars entra\u00een\u00e9e sans consentement \u00e0 partir de pratiquement toute la musique facilement accessible en ligne. Au Canada, comme ailleurs dans le monde, la plateforme rend publiquement accessibles et diffuse en continu des extrants g\u00e9n\u00e9r\u00e9s par l\u2019IA qui reproduisent des chansons du r\u00e9pertoire [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":12436,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[67],"tags":[],"class_list":["post-12429","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12429","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=12429"}],"version-history":[{"count":1,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12429\/revisions"}],"predecessor-version":[{"id":12440,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/12429\/revisions\/12440"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media\/12436"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=12429"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=12429"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=12429"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}