{"id":11859,"date":"2026-02-01T13:24:26","date_gmt":"2026-02-01T17:24:26","guid":{"rendered":"https:\/\/www.composition.org\/?p=11859"},"modified":"2026-02-01T13:36:34","modified_gmt":"2026-02-01T17:36:34","slug":"selectionne-officielle-pour-les-world-new-music-days-2026","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/nouvelles-fr\/selectionne-officielle-pour-les-world-new-music-days-2026\/","title":{"rendered":"S\u00e9lectionne officielle pour les World New Music Days 2026"},"content":{"rendered":"\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2025\/09\/Anna-Pidgorna_Photo-1_photo-credit-Anya-Chibis-Anna-Pidgorna.jpg\" alt=\"\" class=\"wp-image-11696\"\/><\/figure>\n\n\n\n<p>La Ligue canadienne des compositeurs et la Section canadienne de la Soci\u00e9t\u00e9 internationale pour la musique contemporaine (SIMC) ont le plaisir d\u2019annoncer que\u00a0<em>The Stockhausen Menagerie<\/em>\u00a0pour fl\u00fbte et clarinette d\u2019<a href=\"https:\/\/annapidgorna.com\/\" target=\"_blank\" rel=\"noopener\">Anna Pidgorna<\/a> a \u00e9t\u00e9 s\u00e9lectionn\u00e9e pour \u00eatre pr\u00e9sent\u00e9e lors des <a href=\"https:\/\/snr-simc.org\/wnmd2026\/\" target=\"_blank\" rel=\"noopener\">World New Music Days 2026<\/a>, en Roumanie.<\/p>\n\n\n\n<p>En plus de l\u2019\u0153uvre d\u2019Anna, trois autres \u0153uvres canadiennes ont \u00e9t\u00e9 retenues pour faire partie du festival :<\/p>\n\n\n\n<p><em>Sprung Testament<\/em>\u00a0de <a href=\"https:\/\/www.zoshadicastri.com\/\" target=\"_blank\" rel=\"noopener\">Zosha Di Castri<\/a>, pour fl\u00fbte (ou violon) et piano (soumise par <a href=\"https:\/\/levivier.ca\/en\" target=\"_blank\" rel=\"noopener\">Le Vivier<\/a>)<br><em>Seule<\/em>\u00a0de <a href=\"https:\/\/www.heatherhindman.com\/\" target=\"_blank\" rel=\"noopener\">Heather Hindman<\/a>, pour fl\u00fbte solo (soumission individuelle)<br><em>On Endless Hold<\/em>\u00a0de <a href=\"https:\/\/jameslowrie.com\/\" target=\"_blank\" rel=\"noopener\">James Hamilton Lowrie<\/a>, pour quatuor \u00e0 cordes (soumission individuelle)<\/p>\n\n\n\n<p><em>La Section canadienne de la SIMC est ravie que la Section roumaine ait choisi de programmer l\u2019\u0153uvre d\u2019Anna, qui a \u00e9t\u00e9 tr\u00e8s bien accueillie par le jury de la Section canadienne cette ann\u00e9e.<\/em><\/p>\n\n\n\n<p><em>La Section canadienne tient \u00e9galement \u00e0 f\u00e9liciter les trois autres compositeur\u00b7rice\u00b7s canadien\u00b7ne\u00b7s dont les \u0153uvres ont \u00e9t\u00e9 s\u00e9lectionn\u00e9es par le jury international. La d\u00e9cision d\u2019inclure deux \u0153uvres canadiennes suppl\u00e9mentaires issues de soumissions individuelles \u2014 sur un total de seulement 11 soumissions individuelles retenues au total \u2014 met v\u00e9ritablement en lumi\u00e8re la force de la musique canadienne dans un contexte international.<\/em><br><br><strong>&#8211; Bekah Simms<\/strong>, pr\u00e9sidente, Section canadienne de la SIMC<br><br>F\u00e9licitations \u00e0 Anna, Heather, James et Zosha !<\/p>\n","protected":false},"excerpt":{"rendered":"<p>F\u00e9licitations \u00e0 Anna, Heather, James et Zosha !<\/p>\n","protected":false},"author":4,"featured_media":11696,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[67],"tags":[],"class_list":["post-11859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=11859"}],"version-history":[{"count":1,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11859\/revisions"}],"predecessor-version":[{"id":11862,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11859\/revisions\/11862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media\/11696"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=11859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=11859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=11859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}