{"id":11206,"date":"2025-04-01T16:56:16","date_gmt":"2025-04-01T20:56:16","guid":{"rendered":"https:\/\/www.composition.org\/?p=11206"},"modified":"2026-04-18T22:25:48","modified_gmt":"2026-04-19T02:25:48","slug":"appels-de-dossiers-et-opportunites","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/unassigned\/appels-de-dossiers-et-opportunites\/","title":{"rendered":"Appels de dossiers"},"content":{"rendered":"\n

Veuillez noter que certains appels list\u00e9s ci-dessous ne sont pas arrim\u00e9s aux meilleures pratiques d\u00e9crites dans nos Lignes directrices pour les concours de composition et appels d’\u0153uvres<\/a>, surtout en ce qui a trait \u00e0 la restriction de certain\u00b7es candidat\u00b7es, des contraintes de travail et des frais associ\u00e9s au d\u00e9p\u00f4t de candidature ou \u00e0 la participation \u00e0 un programme (nous indiquons les appels de dossiers qui contiennent des frais).  Nous \u0153uvrons \u00e0 communiquer avec ces organisations pour faire valoir les int\u00e9r\u00eats des compositaires!<\/p>\n\n\n\n

\n
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Prix Azrieli de musique<\/kbd><\/mark><\/strong>
6 mai<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
L'atelier de nouvelle musique canadienne<\/kbd><\/mark><\/strong>
15 mai<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Array - Appel \u00e0 commissaire<\/kbd><\/mark><\/strong>
15 mai<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Rocky Mountain Chamber Choir - Appel d'\u0153uvres<\/kbd><\/mark><\/strong>
31 mai<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
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JTTP - Concours de composition \u00e9lectroacoustique<\/kbd><\/mark><\/strong>
31 mai<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Fondation SOCAN - Bourse pour les cr\u00e9ateur\u00b7ices de musique<\/kbd><\/mark><\/strong>
1er juin<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
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Prix Barlow<\/kbd><\/mark><\/strong>
1er juin<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Concours de composition Contrapuncta<\/kbd><\/mark><\/strong>
30 juin<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Vancouver Chinese Music Ensemble Commande d'\u0153uvre<\/mark>
1er octobre<\/mark><\/a><\/kbd><\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ensemble Abeceda - The New Symposium<\/kbd><\/mark><\/strong>
En continu<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
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Digital North<\/kbd><\/mark><\/strong>
En continu<\/kbd><\/mark><\/strong><\/a><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
CEC Appel d'\u0153uvres
En continu<\/a><\/kbd><\/mark><\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
CMC C-B Artiste en r\u00e9sidence
En continu<\/a><\/kbd><\/mark><\/strong><\/figcaption><\/figure>\n\n\n\n
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CMC Ontario: Programme de r\u00e9sidence \u00e0 l'espace Chalmers
En continu<\/span><\/a><\/strong><\/kbd><\/mark><\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"

Appels d’\u0153uvres et de candidatures pour des r\u00e9sidences, des bourses et plus encore!<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[82,1],"tags":[],"class_list":["post-11206","post","type-post","status-publish","format-standard","hentry","category-resources-fr","category-unassigned"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=11206"}],"version-history":[{"count":4,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11206\/revisions"}],"predecessor-version":[{"id":11993,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/11206\/revisions\/11993"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=11206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=11206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=11206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}