{"id":10059,"date":"2024-04-12T20:52:01","date_gmt":"2024-04-13T00:52:01","guid":{"rendered":"https:\/\/www.composition.org\/?p=10059"},"modified":"2024-04-24T11:18:50","modified_gmt":"2024-04-24T15:18:50","slug":"annonce-de-la-section-canadienne-de-la-simc-pour-les-wnmd-2025","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/nouvelles-fr\/annonce-de-la-section-canadienne-de-la-simc-pour-les-wnmd-2025\/","title":{"rendered":"Annonce de la Section canadienne de la SIMC pour les WNMD 2025"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/iscm.org\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"416\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/image-1024x416.jpeg\" alt=\"\" class=\"wp-image-9504\" srcset=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/image-980x398.jpeg 980w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/02\/image-480x195.jpeg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<p>La Section canadienne de la Soci\u00e9t\u00e9 internationale pour la musique contemporaine (SIMC) est heureuse de vous annoncer les six \u0153uvres qui constitueront notre soumission aux Journ\u00e9es de la musique nouvelle 2025 \u00e0 Lisbonne et Porto au Portugal. Le festival aura lieu du 29 mai au 7 juin 2025.&nbsp;<\/p>\n\n\n\n<p>Les \u0153uvres s\u00e9lectionn\u00e9es sont:<\/p>\n\n\n\n<p><strong>sarasaraahat <\/strong>&nbsp;(2021) pour violoncelle solo, par Gabriel Dharmoo<\/p>\n\n\n\n<p><strong>Universal Veil<\/strong> (2022) pour violoncelle solo, par Fj\u00f3la Evans<\/p>\n\n\n\n<p><strong>Under Sea, Above Sky<\/strong> (2019, r\u00e9v. 2021) pour orchestre, par Jared Miller<\/p>\n\n\n\n<p><strong>Alouette Meets Her Maker<\/strong> (2018, r\u00e9v. 2021) pour ch\u0153ur d\u2019enfants, par Chris Sivak<\/p>\n\n\n\n<p><strong>velvet&nbsp; <\/strong>(2017) pour ensemble de percussions, par Monica Pearce<\/p>\n\n\n\n<p><strong>Masques et dichotomies<\/strong> (2021), \u00e9lectroacoustique (avec ou sans vid\u00e9o), par Roxanne Turcotte<\/p>\n\n\n\n<p>S\u00e9lectionn\u00e9es \u00e0 partir d\u2019une cinquantaine de soumissions \u00e0 travers le Canada, ces \u0153uvres couvrent quatre des 15 cat\u00e9gories \u00e9tablies par les organisateur\u00b7ices du festival de cette ann\u00e9e. Les pi\u00e8ces ont \u00e9t\u00e9 choisies par un jury compos\u00e9 de Jennifer Butler, Wesley Shen et&nbsp; Laurence Jobidon. Le jury \u00e9tait pr\u00e9sid\u00e9 par Rodney Sharman, pr\u00e9sident de la Section canadienne de la SIMC, anim\u00e9 par August Murphy-King, directeur g\u00e9n\u00e9ral de la Ligue canadienne des compositeurs.&nbsp;<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><a href=\"http:\/\/gabrieldharmoo.org\/en\/home\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" data-id=\"10082\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/GabrielDharmoo_2023_3_credit_Curtis-Perry-Gabriel-Dharmoo-1-scaled.jpg\" alt=\"\" class=\"wp-image-10082\" srcset=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/GabrielDharmoo_2023_3_credit_Curtis-Perry-Gabriel-Dharmoo-1-scaled.jpg 1920w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/GabrielDharmoo_2023_3_credit_Curtis-Perry-Gabriel-Dharmoo-1-225x300.jpg 225w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/GabrielDharmoo_2023_3_credit_Curtis-Perry-Gabriel-Dharmoo-1-768x1024.jpg 768w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/GabrielDharmoo_2023_3_credit_Curtis-Perry-Gabriel-Dharmoo-1-1152x1536.jpg 1152w\" sizes=\"(max-width: 1920px) 100vw, 1920px\" \/><\/a><figcaption class=\"wp-element-caption\">Gabriel Dharmoo<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.fjolaevans.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1829\" height=\"2560\" data-id=\"10076\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-scaled.jpg\" alt=\"\" class=\"wp-image-10076\" srcset=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-scaled.jpg 1829w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-214x300.jpg 214w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-731x1024.jpg 731w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-768x1075.jpg 768w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Fjola_Evans_cred_Landon_Speers-Fjola-Evans-1-1097x1536.jpg 1097w\" sizes=\"(max-width: 1829px) 100vw, 1829px\" \/><\/a><figcaption class=\"wp-element-caption\">Fj\u00f3la Evans<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/jaredmillermusic.wordpress.com\/\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" data-id=\"10068\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/jared-miller-Jared-Miller-scaled.jpg\" alt=\"\" class=\"wp-image-10068\"\/><\/a><figcaption class=\"wp-element-caption\">Jared Miller<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/chris-sivak.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" data-id=\"10078\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/chrissivak-Chris-Sivak-2-1024x683.jpg\" alt=\"\" class=\"wp-image-10078\" srcset=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/chrissivak-Chris-Sivak-2-980x653.jpg 980w, https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/chrissivak-Chris-Sivak-2-480x320.jpg 480w\" sizes=\"(min-width: 0px) and (max-width: 480px) 480px, (min-width: 481px) and (max-width: 980px) 980px, (min-width: 981px) 1024px, 100vw\" \/><\/a><figcaption class=\"wp-element-caption\">Chris Sivak<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.monicapearce.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" data-id=\"10086\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/Monica-Pearce-1-683x1024.jpeg\" alt=\"\" class=\"wp-image-10086\"\/><\/a><figcaption class=\"wp-element-caption\">Monica Pearce<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/roxanneturcotte.com\/\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"768\" height=\"1024\" data-id=\"10084\" src=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/04\/IMG_1594-Roxanne-Turcotte-768x1024.png\" alt=\"\" class=\"wp-image-10084\"\/><\/a><figcaption class=\"wp-element-caption\">Roxanne Turcotte<\/figcaption><\/figure>\n<\/figure>\n","protected":false},"excerpt":{"rendered":"<p>La Section canadienne de la Soci\u00e9t\u00e9 internationale pour la musique contemporaine (SIMC) est heureuse de vous annoncer les six \u0153uvres qui constitueront notre soumission aux Journ\u00e9es de la musique nouvelle 2025 \u00e0 Lisbonne et Porto au Portugal. Le festival aura lieu du 29 mai au 7 juin 2025.&nbsp; Les \u0153uvres s\u00e9lectionn\u00e9es sont: sarasaraahat &nbsp;(2021) pour [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":9504,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[67],"tags":[],"class_list":["post-10059","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10059","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=10059"}],"version-history":[{"count":4,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10059\/revisions"}],"predecessor-version":[{"id":10101,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10059\/revisions\/10101"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media\/9504"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=10059"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=10059"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=10059"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}