{"id":10025,"date":"2024-04-19T13:52:04","date_gmt":"2024-04-19T17:52:04","guid":{"rendered":"https:\/\/www.composition.org\/?p=10025"},"modified":"2024-05-20T17:35:40","modified_gmt":"2024-05-20T21:35:40","slug":"suoni-per-il-popolo","status":"publish","type":"post","link":"https:\/\/www.composition.org\/fr\/signal-boost-fr\/suoni-per-il-popolo\/","title":{"rendered":"Suoni Per Il Popolo"},"content":{"rendered":"\n<p>Depuis 2002, <em><strong><strong><a href=\"https:\/\/suoniperilpopolo.org\/\" target=\"_blank\" rel=\"noopener\">Suoni Per Il Popolo<\/a><\/strong>&nbsp;<\/strong><\/em>est un lieu de rencontre de musique exp\u00e9rimentale, d&rsquo;art et d&rsquo;activisme pr\u00e9sent\u00e9 par la Soci\u00e9t\u00e9 des Arts Libres et Actuels (SALA), un organisme \u00e0 but non lucratif bas\u00e9 \u00e0 Montr\u00e9al.<\/p>\n\n\n\n<p>Ce SIGNAL BOOST est une conversation avec Isabelle Bozzini, Julie Richard et Kiva Stimac \u00e0 propos du festival Suoni Per Il Popolo.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SIGNAL BOOST 4 PART 1- Suoni Per Il Popolo\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/77gwFeQFz5c?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"SIGNAL BOOST 4 PART 2 - Suoni Per Il Popolo\" width=\"1080\" height=\"608\" src=\"https:\/\/www.youtube.com\/embed\/SgQVkIelF4g?feature=oembed\"  allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p><\/p>\n\n\n\n<div class=\"wp-block-file aligncenter\"><a href=\"https:\/\/www.composition.org\/wp-content\/uploads\/2024\/03\/Signal-Boost-4-Suoni-Per-Il-Popolo-FULL-INTERVIEW.pdf\" class=\"wp-block-file__button wp-element-button\" download>T\u00e9l\u00e9charger le texte de l&rsquo;interview<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Depuis 2002, Suoni Per Il Popolo&nbsp;est un lieu de rencontre de musique exp\u00e9rimentale, d&rsquo;art et d&rsquo;activisme pr\u00e9sent\u00e9 par la Soci\u00e9t\u00e9 des Arts Libres et Actuels (SALA), un organisme \u00e0 but non lucratif bas\u00e9 \u00e0 Montr\u00e9al. Ce SIGNAL BOOST est une conversation avec Isabelle Bozzini, Julie Richard et Kiva Stimac \u00e0 propos du festival Suoni Per [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[107],"tags":[],"class_list":["post-10025","post","type-post","status-publish","format-standard","hentry","category-signal-boost-fr"],"acf":{"pdf_download_link":"","pdf_download_button_text":"","pdf_download_link_2":"","pdf_download_button_text_2":""},"_links":{"self":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10025","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/comments?post=10025"}],"version-history":[{"count":4,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10025\/revisions"}],"predecessor-version":[{"id":10121,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/posts\/10025\/revisions\/10121"}],"wp:attachment":[{"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/media?parent=10025"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/categories?post=10025"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.composition.org\/fr\/wp-json\/wp\/v2\/tags?post=10025"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}